ANONYMOUS - OUR VOICE

Dave Chappelle vs. trans people vs. Netflix

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<p>For the past several years, comedian Dave Chappelle has been locked in a vicious cycle of anti-<a href="https://www.vox.com/22384308/cancel-culture-free-speech-accountability-debate">cancel-culture</a> standup comedy. Over six Netflix specials, Chappelle has <a href="https://www.vox.com/2019/8/29/20835637/dave-chappelle-netflix-special-hidden-ending-cancel-culture">lashed out at</a> what he views as progressive attempts to cancel him for his incendiary comedy — all while mocking the queer and transgender communities and the Me Too movement and generally doubling, tripling, and sextupling down on the offensive jokes and reactionary politics that people took issue with in the first place.</p>
<p>It’s a fatiguing ouroboros.</p>
<p>Chappelle’s latest special <em>The Closer</em> is possibly his last for the streaming service, and with it, the discourse around his comedy has intensified. In the special, released October 5, Chappelle’s humor is <a href="https://www.thedailybeast.com/dave-chappelle-says-hes-a-terf-and-is-quitting-lgbtq-jokes-in-netflixs-the-closer">more openly transphobic than ever</a>. Many trans viewers feel Chappelle’s comedy has escalated into overt hate — and they’ve been <a href="https://twitter.com/search?q=trans%20(to%3Anetflix)&src=typed_query&f=live">voicing</a> their complaints directly to Netflix. Moreover, Netflix recently <a href="https://www.theverge.com/2021/10/11/22720724/netflix-suspends-trans-employee-tweeted-dave-chappelle-the-closer">suspended a trans employee</a> who tweeted about the special’s transphobia. Netflix has said the employee was suspended not for her viral tweets, but for attending a director-level business meeting without an invitation. (The company has since lifted the suspension.)</p>
<p>Despite the uproar, Netflix co-CEO Ted Sarandos <a href="https://www.theverge.com/2021/10/11/22720724/netflix-suspends-trans-employee-tweeted-dave-chappelle-the-closer">defended Chappelle and his comedy</a>. “We don’t allow titles on Netflix that are designed to incite hate or violence, and we don’t believe <em>The Closer</em> crosses that line,” he wrote in an internal email on October 8.</p>
<p>But with Chappelle <a href="https://www.thedailybeast.com/dave-chappelle-says-hes-a-terf-and-is-quitting-lgbtq-jokes-in-netflixs-the-closer">platforming</a> a position of gender essentialism onstage, and declaring that he’s “team TERF” — thereby aligning himself with trans-exclusionary radical feminists who <a href="https://www.vox.com/identities/2019/9/5/20840101/terfs-radical-feminists-gender-critical">argue that trans women aren’t women</a> — many Netflix viewers and employees disagree. Netflix’s approach to the whole situation has triggered employee resignations, backlash, and now, a <a href="https://www.theverge.com/2021/10/12/22723592/netflix-trans-employees-walkout-statements-ceo">planned walkout</a> of the company’s trans employee resource group.</p>
<p>Complicating the situation even further is an uncomfortable wedge that has only exacerbated the polarization around Chappelle: the suicide of Daphne Dorman, a trans woman who defended and befriended Chappelle, then became a willing subject of his comedy herself in his 2019 Netflix special <em>Sticks and Stones</em>. Following her death shortly after the special came out, she became a focal point of the debate around whether Chappelle’s comedy is harmful to trans people.</p>
<p>That Chappelle discusses her again in his newest special is a heated point of contention between those who believe trans viewers are bullying Chappelle and his friends — including Dorman — and those who believe Chappelle’s humor makes it harder for trans people like Dorman to safely exist.</p>
<p>It’s a tangled, unpleasant mess, but it’s an important moment, both for Netflix and for the increasingly vocal trans audience that’s fed up with Chappelle.</p>
<p>To be extremely clear: Dave Chappelle probably considers himself a trans ally. He’s said repeatedly that he supports trans people, and in <em>The Closer</em>, he speaks out against North Carolina’s notorious <a href="https://www.vox.com/2016/6/3/11842988/bathroom-bills-consequence">anti-trans bathroom law</a>.</p>
<p>He seems to be at pains to use his offstage support of trans people to justify his overtly transphobic onstage comedy. To be equally clear, however, his comedy has <a href="https://www.dailykos.com/stories/2010/3/4/843117/-">always</a> <a href="https://newrepublic.com/article/141550/dave-chappelles-problem-gay-people">been</a> <a href="https://www.vice.com/en/article/538k7k/a-study-of-how-dave-chappelle-isnt-nailing-2017">transphobic</a>.</p>
<p>As Vulture’s Craig Jenkins <a href="https://www.vulture.com/article/dave-chappelle-the-closer-comedy-review.html">sums up</a>, “How much you enjoy <em>The Closer</em> will depend on whether you’re able or willing to believe the comic and the human are separate entities and to buy that the human loves us all, and the comic is only performing spitefulness for his audience.”</p>
<p>Chappelle insists his jokes — in which he has derisively referred to the LGBTQ community as “the alphabet people,” “gross,” and “confusing,” among other things — have been misconstrued by angry progressives.</p>
<p>Yet <em>The Closer</em>’s fixation on trans people drastically escalates the tone of his previous comedy, veering into outright anti-science arguments about gender while continuing his fixation on the anatomy of trans people. Many viewers were disturbed and upset to see Chappelle declare himself “team TERF” in the new special, along with defending <a href="https://www.vox.com/culture/21285396/jk-rowling-transphobic-backlash-harry-potter">J.K. Rowling</a> for identifying with TERF ideology. “They canceled J.K. Rowling,” Chappelle opines, ignoring that Rowling is still a bestselling author with millions of fans. “Effectually she said gender was fact, the trans community got mad as shit, they started calling her a TERF.”</p>
<p>“Gender is fact” seems to be Chappelle’s way of implying that gender is binary and biologically determined. Science <a href="https://apnews.com/article/politics-science-health-gender-identity-biology-2a67da6515aa48e68e56cd97817b097a">says otherwise</a>. Chappelle also fails to mention in <em>The Closer</em> that Rowling has <a href="https://www.vox.com/identities/2019/12/19/21029874/jk-rowling-transgender-tweet-terf">openly befriended</a> and <a href="https://www.vox.com/culture/2019/12/19/21029852/jk-rowling-terf-transphobia-history-timeline">amplified</a> the voices of TERFs on social media, and that she penned a long manifesto expressing the pernicious TERF ideology that trans women might actually be male sexual predators in disguise. Rowling’s transphobia, in other words, is far more involved than what Chappelle presents as a simple statement.</p>
<p>After downplaying the danger of Rowling’s actions, Chappelle proceeds to downplay his own, even while <a href="https://www.thedailybeast.com/dave-chappelle-says-hes-a-terf-and-is-quitting-lgbtq-jokes-in-netflixs-the-closer">luridly describing</a> the invalidity of trans female anatomy and repeatedly expressing gender-essentialist views. He also seems to think the gay and trans communities consist only of white people, <a href="https://twitter.com/RaquelWillis_/status/1446516464794710017">as though the concerns</a> of Black and LGBTQ communities are entirely separate and might never overlap. He even compares being trans to wearing blackface, an alarming reframing of the insidious idea that trans people make a mockery of gender.</p>
<p>As the ultimate defense of his viewpoint, Chappelle then goes on to discuss Dorman, a trans comedian whom Chappelle worked with, befriended, and discussed in his Grammy-winning 2019 special <a href="https://www.vox.com/2019/8/29/20835637/dave-chappelle-netflix-special-hidden-ending-cancel-culture"><em>Sticks and Stones</em></a>. Like <em>The Closer, Sticks and Stones</em> saw Chappelle dropping a litany of transphobic remarks, then holding up his friendship with Dorman as an example of his tolerance toward trans people. Chappelle joked about making out with her — while inspecting her anatomy.</p>
<p>Initially, Dorman was thrilled by Chappelle’s recognition. But following the special, she received backlash from other trans people, some of whom <a href="https://twitter.com/WhatTheTrans/status/1166374171414282247">had argued</a> that Chappelle was just using her as a way of excusing his transphobia.</p>
<p>Barely two months after the 2019 special, <a href="https://deadline.com/2019/10/transgender-activist-mentioned-in-dave-chappelles-sticks-and-stones-netflix-special-dies-1202759052/">Dorman died by suicide</a>. Shortly before Dorman’s death, she <a href="https://www.nme.com/news/comedian-and-transgender-activist-daphne-dorman-dies-aged-44-2556788">posted an apology note</a> to Facebook. “To those of you who are mad at me: please forgive me,” she wrote. “To those of you feel like I failed you: I did and I’m sorry and I hope you’ll remember me in better times and better light.”</p>
<p>It’s important to acknowledge the uncomfortable reality that Dorman was <a href="https://twitter.com/Cyr_cryptid/status/1166529134391988224">criticized</a> and harassed by other trans people and allies. But focusing on this framing turns Dorman into a martyr for the cause of defending Chappelle, who uses Dorman’s suicide and the bullying narrative to defend and justify his reactionary position in <em>The Closer</em>.</p>
<p>Dorman, he tells his audience at the end of his set, went against “her tribe” (i.e., the trans community) in order to defend him, after which they “dragged that bitch all over Twitter.” (For the record, there’s very little toxicity and not even very much dissent <a href="https://twitter.com/search?f=live&q=(to%3Adaphnedorman)%20until%3A2019-10-31%20since%3A2019-08-26&src=typed_query">in the extant replies</a> to Dorman from that period.) “It wasn’t the jokes,” he says. “I don’t know what was going on in her life ... but I bet [the trans community] dragging her didn’t help.”</p>
<p>For their part, Dorman’s family have also <a href="https://deadline.com/2021/10/dave-chappelle-the-closer-defended-by-sisters-his-trans-friend-daphne-dorman-1234853511/">continued to defend</a> Chappelle, referring to him as an “LGBTQ ally.”</p>
<p>Yet Dorman’s death reflects another uncomfortable reality: Trans people are at an extremely high risk of dying by <a href="https://www.mentalhealthcommission.ca/wp-content/uploads/drupal/2019-05/Transgender%20people%20and%20suicide%20fact%20sheet.pdf">suicide</a> or <a href="https://www.advocate.com/crime/2021/3/23/trans-people-four-times-likely-face-violent-crime-cis">transphobic violence</a>. Chappelle’s latest double down arrives just as trans people are currently living through what might turn out to be the most violently transphobic period <a href="https://www.theguardian.com/world/2021/jun/14/us-trans-transgender-deaths-2021">in recorded history</a>. To attribute Dorman’s death to bullying from “woke scolds” erases the reality that as a trans woman, Dorman was extremely vulnerable to bullying and harassment because of her gender identity, as well as mental health struggles and becoming a victim of hate crimes or other acts of violence.</p>
<p>These are all arguably the kinds of transphobia that can escalate when a prominent comedian with a potential audience the size of Netflix’s <a href="https://www.cnbc.com/2020/04/21/netflix-massive-viewership-numbers-proves-it-owns-pop-culture.html">180 million</a> subscribers treats trans identity like a quirky made-up fantasy.</p>
<p>In fact, <a href="https://bmcpublichealth.biomedcentral.com/articles/10.1186/s12889-021-11107-x">study</a> <a href="https://link.springer.com/chapter/10.1007%2F978-3-319-96334-1_24">after</a> <a href="https://www.who.int/bulletin/volumes/96/1/17-197251.pdf">study</a> has shown a direct connection between the type of perceptions of gender identity Chappelle is performing and anti-trans violence. Even if you believe “Chappelle, the offstage human” is a decent and supportive trans ally, “Chappelle, the onstage comic” is promoting bigotry and amplifying gender essentialism in a way that contributes to making trans people deeply unsafe. Additionally, despite Chappelle’s reluctance to admit the overlap between Black and trans interests, Black trans women are the most susceptible group, <a href="https://harvardcrcl.org/americas-war-on-black-trans-women/">by orders of magnitude</a>, to the harmful impact of rhetoric like Chappelle’s.</p>
<p>Little wonder, then, that Chappelle has drawn sustained backlash from queer and trans communities. Over the weeks since <em>The Closer</em>’s release, that backlash has only grown more intense — and Netflix’s reaction hasn’t helped.</p>
<p>In addition to drawing overwhelmingly negative responses to the transphobic material from critics as well as many <a href="https://www.wtvq.com/ky-lgbtq-community-members-speak-out-against-dave-chappelles-netflix-special/">queer viewers</a>, <em>The Closer</em> swiftly drew repudiations from advocacy groups around the nation, including the National Black Justice Coalition.</p>
<p>Anger and disappointment have also come from within the larger Netflix organization. <a href="https://www.hollywoodreporter.com/tv/tv-features/dave-chappelle-netflix-special-controversy-trans-lgbtq-1235028904/"><em>Dear White People</em></a> co-showrunner Jaclyn Moor, who is trans, decided to stop collaborating with the company in response to its decision to stand by <em>The Closer</em>. “It is much easier to commit violence against someone that you think is immoral or a liar or … someone not worthy of your respect,” <a href="https://www.hollywoodreporter.com/tv/tv-features/dave-chappelle-netflix-special-controversy-trans-lgbtq-1235028904/">Moor told the Hollywood Reporter</a>, referring to the way Chappelle’s rhetoric endangers trans people. “That makes it much easier to hurt me. ... I just want to not be killed.”</p>
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<blockquote class="twitter-tweet">
<p lang="en" dir="ltr" xml:lang="en">I told the story of my transition for <a href="https://twitter.com/netflix?ref_src=twsrc%5Etfw">@netflix</a> and <a href="https://twitter.com/Most?ref_src=twsrc%5Etfw">@most</a>'s Pride week. It's a network that's been my home on <a href="https://twitter.com/DearWhitePeople?ref_src=twsrc%5Etfw">@DearWhitePeople</a>. I've loved working there.</p>
<p>I will not work with them as long as they continue to put out and profit from blatantly and dangerously transphobic content.</p>
— Jaclyn Moore (@JaclynPMoore) <a href="https://twitter.com/JaclynPMoore/status/1445912662093729793?ref_src=twsrc%5Etfw">October 7, 2021</a></blockquote>
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<p>Equally poignant was the backlash Netflix received from its own employees, particularly the staff behind the Twitter account <a href="https://twitter.com/Most/">@Most</a>, which promotes the company’s queer content. In an unusually raw thread, the staff running the account told its followers that the week following <em>The Closer</em>’s release had “fucking suck[ed].”</p>
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<blockquote class="twitter-tweet">
<p lang="en" dir="ltr" xml:lang="en">To be clear: As the queer and trans people who run this account, you can imagine that the last couple of weeks have been hard. We can’t always control what goes on screen. What we can control is what we create here, and the POV we bring to internal conversations.</p>
— Most (@Most) <a href="https://twitter.com/Most/status/1448421747309498372?ref_src=twsrc%5Etfw">October 13, 2021</a></blockquote>
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<p>In response to a flurry of internal questions about <em>The Closer</em> and Netflix’s responsibility not to air transphobic views, Netflix co-CEO Ted Sarandos issued a company-wide email on October 8, obtained by <a href="https://www.theverge.com/2021/10/11/22720724/netflix-suspends-trans-employee-tweeted-dave-chappelle-the-closer">the Verge</a>. Reiterating that Netflix would not be removing <em>The Closer</em> from its library, he expressed pride in the company’s partnership with Chappelle and praised <em>Sticks and Stones</em> for winning awards and attracting views. He placed <em>The Closer</em> in the same category as other highly controversial Netflix releases, including <a href="https://www.vox.com/culture/21431237/cuties-cancel-netflix-controversy-explained"><em>Cuties</em></a> and <a href="https://www.vox.com/culture/2019/5/3/18522559/13-reasons-why-netflix-youth-suicide-rate"><em>13 Reasons Why</em></a>, both works of fiction that have been accused of creating real-world harm.</p>
<p>Rather than engage the sticky question of whether Chappelle’s persona is another work of artistic license or whether he’s straightforwardly promoting transphobia to the masses, Sarandos denied that <em>The Closer</em> was transphobic at all. “We don’t allow titles on Netflix that are designed to incite hate or violence, and we don’t believe <em>The Closer</em> crosses that line,” he wrote, before adding that “some people find the art of stand-up to be mean-spirited but our members enjoy it.”</p>
<p>He further suggested that Netflix was commendable for ensuring that “under-represented communities are not defined by the single story,” seemingly implying that Chappelle’s ridicule of trans people might even be a win for diversity.</p>
<p>But the issue of acceptance of trans identity is much more than an issue of “mean-spirited” comedy — as the high rates of trans violence indicate, it’s very literally life or death.</p>
<p>Terra Field, a senior software engineer at Netflix, <a href="https://twitter.com/RainofTerra/status/1445914236668895236">posted</a> a viral Twitter thread about Chappelle the day after <em>The Closer</em>’s release, making it very clear what the stakes are for trans people. “Promoting TERF ideology (which is what we did by giving it a platform yesterday) directly harms trans people, it is not some neutral act,” she wrote. “This is not an argument with two sides. It is an argument with trans people who want to be alive and people who don’t want us to be.”</p>
<p>Netflix subsequently suspended Field, who is trans. Although the news quickly grabbed attention, both Netflix and Field acknowledged that she and two other employees were suspended for attending Netflix’s quarterly business meeting without an invitation, not for speaking out about <em>The Closer</em>. “Our employees are encouraged to disagree openly and we support their right to do so,” a company spokesperson <a href="https://www.theverge.com/2021/10/11/22720724/netflix-suspends-trans-employee-tweeted-dave-chappelle-the-closer">told the Verge</a>. Field was <a href="https://twitter.com/RainofTerra/status/1448097310026747908">reinstated</a> on October 12. Another employee reportedly resigned in protest over <em>The Closer</em> and Netflix’s response.</p>
<p>Sarandos tried again in <a href="https://variety.com/2021/film/news/ted-sarandos-dave-chappelle-defense-1235088647/">a follow-up company memo</a> issued October 11. This time, he noted that “With ‘The Closer,’ we understand that the concern is not about offensive-to-some content but titles which could increase real world harm (such as further marginalizing already marginalized groups, hate, violence etc.),” he wrote.</p>
<p>Still, Sarandos reaffirmed the company’s decision to stand by <em>The Closer</em>, arguing that “we have a strong belief that content on screen doesn’t directly translate to real-world harm.” Given the direct link between cultural transphobia and real-world violence, and given the connection between Chappelle’s previous Netflix special and Dorman’s suicide, it’s a troubling defense.</p>
<p>Netflix is coming into this controversy amid a time of triumph. September’s smash hit <a href="https://www.vox.com/22704474/squid-game-games-korean-references-symbols"><em>Squid Game</em></a> became the <a href="https://www.nbcnews.com/pop-culture/tv/squid-game-reaches-111m-viewers-becoming-netflix-s-biggest-debut-n1281415">most-viewed series in Netflix history</a> and <a href="https://www.forbes.com/sites/paultassi/2021/10/01/squid-game-is-so-popular-its-driving-netflix-stock-to-new-highs/">caused the company’s stock to hit record highs</a>. With a windfall like that at the streaming giant’s back, upsetting trans viewers might seem like a relatively minor problem.</p>
<p>Still, Netflix clearly hasn’t had the last word. More Netflix employees are gearing up for an even larger protest: a company-wide walkout spearheaded by the staff’s trans employee resource group. The demonstration, which will occur on October 20, is planned not only in protest over Netflix’s decision to release and retain Chappelle’s special, but also to call out the lack of positive trans content on the platform and demand a better ongoing response from the company to trans concerns. “As we’ve discussed through Slack, email, text, and everything in between,” the ERG organizers wrote in an internal memo <a href="https://www.theverge.com/2021/10/12/22723592/netflix-trans-employees-walkout-statements-ceo">obtained by the Verge</a>, “our leadership has shown us they do not uphold the values to which we are held.”</p>
<p>Perhaps ironically, <em>The Closer</em> was supposed to be Chappelle’s “last” special for Netflix; during the show, the comedian also professed himself “done talking about” queer and transgender issues and said he won’t be joking about the communities again “until we are both sure that we are laughing together.”</p>
<p>But if Chappelle intended to go out on a note of admonishment and hope for reconciliation, he seems to have missed his target. If anything, <em>The Closer</em> seems to have bonded members of the trans community in a groundswell of anger and activism, aimed at not only Chappelle but also the streaming giant that has empowered the worst aspects of his comedy for years. If <em>The Closer</em> has proven anything, ultimately it’s that Chappelle, Netflix, and its trans audiences won’t be laughing together anytime soon.</p>
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source <a href="https://www.vox.com/22722357/dave-chappelle-the-closer-netflix-backlash-controversy-transphobic">https://www.vox.com/22722357/dave-chappelle-the-closer-netflix-backlash-controversy-transphobic</a>

vox Dave Chappelle vs. trans people vs. Netflix

For the past several years, comedian Dave Chappelle has been locked in a vicious cycle of anti- cancel-culture standup comedy. Over six Ne...

Why so many new buildings are covered in rectangles

<div><img class="ff-og-image-inserted" src="https://cdn.vox-cdn.com/thumbor/TaTnvj9h1teUVEOkUSABLWuom0A=/0x38:1920x1043/fit-in/1200x630/cdn.vox-cdn.com/uploads/chorus_asset/file/22927050/thumbchorusclean.jpg" /></div>
<p>If you’ve seen new construction around your city, you’ve probably seen these distinctive rectangular panels. Sometimes plain, sometimes multi-colored, they’re absolutely everywhere. The video above explains how they conceal an entire system that helps protect buildings.</p>
<p>Over the course of the 20th century, building technology changed to allow the exterior of a building to be separate from the structure holding it up. Now there’s rainscreen cladding — the enclosure system that ends up being used in so many of those distinctive panels. By creating a small air gap between the exterior wall and the structure, it gives water an opportunity to dry, saving our modern buildings from rot and decay.</p>
<p>Building enclosure is an entire field with lots of intense debate, associations, and academic research. If you’re looking for a way into the world of rainscreens, you can listen to <a href="https://www.greenbuildingadvisor.com/article/the-bs-beer-show-all-about-rainscreens">this podcast with John Straube</a> or check out <a href="https://www.rdh.com/technical-library/">his technical papers</a>, found at RDH.</p>
<p>You can find this video and the entire library of <a href="https://www.youtube.com/channel/UCLXo7UDZvByw2ixzpQCufnA"><strong>Vox’s videos on YouTube</strong></a>.</p>
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source <a href="https://www.vox.com/22726661/rainscreen-cladding-new-construction-building-technology">https://www.vox.com/22726661/rainscreen-cladding-new-construction-building-technology</a>

vox Why so many new buildings are covered in rectangles

If you’ve seen new construction around your city, you’ve probably seen these distinctive rectangular panels. Sometimes plain, sometimes mul...

How TV lied about abortion

<div><img class="ff-og-image-inserted" src="https://cdn.vox-cdn.com/thumbor/0ZFbQvsqVuka1A016KfZ0pMM7p8=/0x254:3000x1825/fit-in/1200x630/cdn.vox-cdn.com/uploads/chorus_asset/file/22924226/greys.jpeg" /></div>
<p>In the second season of <em>Mad Men</em>, perpetually desperate Harry Crane needs to prove himself useful to his colleagues at Sterling Cooper. When he hears the CBS drama <em>The Defenders</em> is losing advertisers because of an abortion plot line — a <a href="https://en.wikipedia.org/wiki/The_Defenders_(1961_TV_series)#Controversial_episodes">1962 real-world event</a> — he tries to convince a lipstick company to buy airtime. The Belle Jolie executive balks at “entering the debate,” leaving Harry aghast at the lack of foresight. “Women,” he says incredulously, “will be watching!”</p>
<p>He was right, but so was the Belle Jolie exec.</p>
<p>For decades, abortion on television was largely depicted as a debate in narrative form, one that pitted melodramatic anti- and pro-abortion rights stances against each other through characters audiences knew and loved. Gretchen Sisson and Katrina Kimport, researchers at the University of California San Francisco, argued in 2014 that, over time, <a href="https://www.researchgate.net/publication/260009111_Telling_Stories_about_Abortion_Abortion-Related_Plots_in_American_Film_and_Television_1916-2013">these narratives collectively created</a> “common cultural ideas about what pregnancy, abortion, and women seeking abortion are like.” The result, according to Sisson and Kimport, was an inaccurate picture of who seeks abortions, and why.</p>
<p>Fictional abortions were also overdramatized. From the origins of television all the way through the past decade, overwhelmingly male TV writers created plot lines that framed abortion as a moral issue, amping up conflict for maximum emotional journeys. It isn’t hyperbolic to say that television significantly changed the way America understood abortion and, as a result, deeply influenced public policy.</p>
<p>Andrea Press, a communications professor who <a href="https://www.tandfonline.com/doi/abs/10.1080/15295039109366807">documented this relationship in a 1991 study</a>, concluded that “when the moral language adopted by television differs from that of viewers, television viewing influences viewers to adopt its terms.” The medium is not a passive bystander in our social debates; it is an active participant, shaping attitudes and action.</p>
<p>In other words, the stories we see on TV help create who we are.</p>
<p>In fact, the beginning of the end of accessible abortion in Texas began with a story. On May 5, 2021, state Rep. Shelby Slawson introduced Senate Bill 8, a law that the Supreme Court allowed to go into effect that <a href="https://www.vox.com/22444100/texas-bans-abortion-6-weeks-supreme-court">bans abortion after six weeks</a>, by telling her mother’s pregnancy story. Doctors had believed the fetus was developing abnormally, but Slawson’s mother chose to carry to term after hearing the fetal heartbeat. Slawson <a href="https://tlchouse.granicus.com/MediaPlayer.php?view_id=47&clip_id=20679">concluded</a>, “Forty-four years later, that little baby girl is standing in this chamber.”</p>
<p>Narratives like these are common in hearings happening in the <a href="https://www.guttmacher.org/article/2021/04/2021-track-become-most-devastating-antiabortion-state-legislative-session-decades#">many state legislatures</a> considering abortion restrictions in 2021. Abortion rights activists have also embraced the power of storytelling as a strategic tool, launching <a href="https://twitter.com/search?q=%23shoutyourabortion&lang=en">hashtags</a>, <a href="https://www.instagram.com/soihadanabortion/?hl=en">Instagram accounts</a>, <a href="https://www.womenonweb.org/en/yourstory?gclid=Cj0KCQjwqKuKBhCxARIsACf4XuEXv0Kfyvkph6NeZ9AB9exuMIBQx3u97Qz5n5LVRzHhRRkpCGj1HxkaAqglEALw_wcB">websites</a>, <a href="https://www.myabortionmylife.org/podcast">podcasts</a>, and more to encourage women to share their abortion stories in the hope of swaying the public to their side.</p>
<p>Yet for all those thousands of competing real-life tales, none has been or will be as widely told as the television abortion narrative. Looking back on how abortion came into our living rooms starting in the 1960s and persisted into our audience-fragmented streaming era can teach us how these stories taught, shaped, and contributed to today’s public discourse about abortion.</p>
<p>From the first broadcast in 1928 through 1980, only two abortions seem to have happened in all of primetime television. <em>The Defenders</em> was the first series to mention abortion, although the procedure did not include a main character. Then, in 1972, came <em>Maude</em>.</p>
<p>Writers for the Bea Arthur show only included the plot because they wanted to win <a href="https://www.chicagotribune.com/news/ct-xpm-1992-11-13-9204130017-story.html">a $10,000 contest prize</a> for storytelling from an organization called Zero Population Growth. Original drafts focused on vasectomies, but showrunner Norman Lear wanted his main character to carry the humor, so writers switched to the now-legendary tale. An estimated 65 million people, or nearly one-third of the American population at the time, watched as 47-year-old married grandmother Maude discovered she was unexpectedly expecting and debated whether to keep the pregnancy. In the end, Maude had an abortion. Off camera, yes. Never mentioned on the show again? Also yes — but it happened. A main character wouldn’t make that choice again for a very long time.</p>
<p>The 1980s saw an increase in television that embraced more realistic storytelling, bolstered by eager audiences and more relaxed social mores. Issues like breast cancer, domestic violence, single motherhood, rape, working life, dating, and abortion were all explored from 8 to 11 pm. But the business of television relied on advertiser support, and programs couldn’t upset their sponsors or their conservative viewers any more in 1982 than they could in 1962. After all, Catholics buy cars, too.</p>
<p>Since narratives are driven by conflict, in an abortion plot line writers typically used the choice itself to drive the story. This approach created high-stakes, emotionally driven drama around making the decision and framed having an abortion as the worst possible outcome of pregnancy.</p>
<p>It also established an inaccurate profile of a typical abortion seeker by linking the procedure to a particular archetype: typically young, white, and middle-class or affluent women who had no other children and who rarely struggled to find an abortion provider. The real story is vastly different. <a href="https://www.guttmacher.org/report/characteristics-us-abortion-patients-2014">Many abortion seekers</a> are women of color, religiously affiliated, and already have children, and in recent years most are low-income or below the federal poverty line.</p>
<p>That’s not what we saw on our screens. Instead, for roughly 20 years — from 1980 to 2000, with a few early-aughts examples joining in — three major abortion plot lines dominated TV.</p>
<p><em>Family</em> (1980), <em>Call to Glory</em> (1984), <em>Spenser for Hire</em> (1985), <em>Webster</em> (1985), <em>MacGruder and Loud</em> (1985), <em>Dallas</em> (1985), <em>21 Jump Street</em> (1988), <em>A Different World</em> (1989), <em>Melrose Place</em> (1992), <em>Roseanne</em> (1990), <em>Party of Five</em> (1996), <em>Grey’s Anatomy</em> (2005)</p>
<p>This trope — in which a character considering an abortion avoids the difficult decision due to either a miscarriage or a false positive — gestured toward pro-abortion-rights viewpoints while simultaneously making sure that no main character actually had to go through with the procedure. <em>Party of Five</em> did a classic version of this plot.</p>
<p>In “Before and After,” which aired in 1996, 16-year-old Julia gets pregnant with her high school boyfriend. Over the next few days, she shares scenes with every other character as each gives their opinion on whether she should have an abortion. Julia’s boyfriend and two brothers are on board with terminating the pregnancy, but her younger sister Claudia is angry because their little brother Owen was also a “mistake.” Julia’s friend Sarah says she can’t support abortion since she is an adoptee who could have been aborted by her birth mother.</p>
<p>Throughout the episode, Julia is deeply emotional while weighing her options but ultimately decides she is too young to become a parent and sacrifice her college plans. And then, just hours before her appointment, she miscarries. When her boyfriend expresses “a tiny bit of relief,” Julia protests. She is relieved, too, but still feels guilty for wanting the abortion at all.</p>
<p>Co-creator of <em>Party of Five</em> Amy Lippman later <a href="https://www.vulture.com/2014/09/party-of-five-oral-history-1994-1995-week.html">told New York magazine</a> that the episode’s original script included Julia receiving her abortion, but the show’s network, Fox, vetoed that ending. As Lippman put it, “That was distressing to us because we thought there was real value in showing what a character in that family under those circumstances would do.” Instead, Julia’s story framed a miscarriage or false positive as a relief because it allowed the woman to avoid making the choice at all<em>,</em> preserving her innocence and morality.</p>
<p><em>Melrose Place</em> (1992), <em>Murphy Brown</em> (1992), <em>Beverly Hills, 90210</em> (1994), <em>Roseanne</em> (1994), <em>Felicity</em> (2000), <em>Sex and the City</em> (2001), <em>Scrubs</em> (2006), <em>ER</em> (2006), <em>Weeds</em> (2009), <em>Sons of Anarchy</em> (2010), <em>Mad Men</em> (2010), <em>True Blood</em> (2010)</p>
<p>Characters getting pregnant or having babies can add exciting new avenues for storytelling, and this was especially true for shows that centered more complex, nuanced female characters in the 1990s and early 2000s. Here, TV attempted to have their feminist cake and eat it, too: Familiar characters were given the space to express and explore viewpoints that support abortion rights, but by them eventually relenting to parenthood, showrunners could still have the comedy of watching Murphy Brown navigate having a baby and doing the news. In execution, these plots often created an unintentional binary that sanctified motherhood and villainized abortion.</p>
<p>In “Thanksgiving 1994” and “Maybe Baby,” the ’90s sitcom <em>Roseanne</em> tackled unexpected pregnancy from a perspective that in many ways reflected real life. The show’s title character was a white mother of three from a lower socioeconomic status, and the Guttmacher Institute <a href="https://www.guttmacher.org/journals/psrh/1996/07/abortion-patients-1994-1995-characteristics-and-contraceptive-use">confirms</a> that in 1994 the majority of abortion seekers already had children, worked, and had not completed college. About half made less than $55,000 per year in today’s dollars.</p>
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<aside><q>This approach created high-stakes, emotionally driven drama around making the decision and framed having an abortion as the worst possible outcome of pregnancy</q></aside>
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<p>“Thanksgiving 1994” opens with a bit of foreshadowing as Roseanne establishes her perspective by pranking anti-abortion protesters outside a clinic. The 40-year-old is there to find out the sex of an unexpected pregnancy, but the unclear results of the test signal a potential developmental issue that will need to be confirmed by a second amniocentesis. While Roseanne and her husband Dan had previously agreed that they would abort an abnormal fetus, Roseanne immediately becomes unsure about the decision, telling her sister, “I heard the heartbeat. I always thought I could have the abortion, but now I don’t know if I can.”</p>
<p>Roseanne’s ambivalence causes conflict with Dan, but by the end of “Maybe Baby,” a second test shows a normally developing fetus and abortion is no longer discussed as an option. Baby Jerry arrives the following season, during <em>Roseanne</em>’s Halloween special.</p>
<p>Communication researcher Celeste Condit <a href="https://www.press.uillinois.edu/books/catalog/45fkf8pb9780252064036.html">emphasizes</a> that despite such plots articulating positions of choice, most of them “explicitly highlighted the values of childbearing, family, and mothering in the face of the potential threat to these values abortion represents.” The message is that abortion is the enemy of motherhood, and motherhood is the natural desire of women.</p>
<p><em>The Facts of Life</em> (1982), <em>Cagney & Lacey</em> (1985), <em>Hill Street Blues</em> (1985), <em>St. Elsewhere</em> (1986), <em>21 Jump Street</em> (1988), <em>China Beach</em> (1990), <em>Beverly Hills, 90210</em> (1996)</p>
<p>Throughout the 1980s and ’90s, many television shows endorsed a position on a variety of social issues through their characters, making it clear they considered one side “right.” Topics such as race, gender equality, rape, HIV/AIDS, sexuality, addiction, mental illness, and more were all explored in primetime, typically in progressive fashion, and eventually, society moved toward those beliefs.</p>
<p>Whether it was Tom Hanks playing Elyse Keaton’s alcoholic brother on <em>Family Ties</em>, Ellen DeGeneres coming out in “The Puppy Episode” on her eponymous sitcom, Denzel Washington navigating racism as a doctor on <em>St. Elsewhere</em>, Chad Lowe playing an HIV-positive character on <em>Life Goes On,</em> or the late, great Dixie Carter’s Julia Sugarbaker delivering a stinging monologue about workplace sexual harassment on <em>Designing Women</em>, shows were not shy in writing strong, clear messages about where they stood on the biggest social debates of our time.</p>
<p>Except abortion. Those stories went out of their way to show “both sides” in the best possible light.</p>
<p>One of the most vivid examples comes courtesy of the CBS crime procedural <em>Cagney & Lacey</em>, in the show’s 1985 episode “The Clinic.” Detectives Christine Cagney and Mary Beth Lacey — who is pregnant — are charged with helping a married Latina woman, Mrs. Herrera, cross a violent picket line at an abortion clinic. Mrs. Herrera wants an abortion so that she can continue attending business school and avoid needing to rely on government assistance programs. The clinic is bombed by a violent anti-abortion protester, killing another patient. The bomber threatens to kill the two detectives and herself, but stops when she learns that Lacey is pregnant.</p>
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<aside><q>The right to disagree with a woman’s choice was depicted as equal in value to the purposeful attempt to stop her from making that choice — a dangerous false equivalency</q></aside>
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<p>On the side of abortion rights: Mrs. Herrera, obviously, but also a doctor who argues for victims of rape, incest, and desperate circumstances. Lacey also firmly supports abortion rights, and is revealed to have had an abortion in Puerto Rico as a teenager.</p>
<p>On the anti-abortion side: Cagney questions the morality of the procedure, and her Catholic father is vehemently against it when they discuss the case. The detectives also meet the leader of an anti-abortion group, presented as reasonable and nonviolent, who compares her work to preventing the Holocaust.</p>
<p>After the episode came under fire from some viewers, the network <a href="https://apnews.com/article/76509ca53f25872cdc9c3705f5fcf664">issued a statement that read in part</a>, “CBS’s program-practices department has carefully reviewed this episode and feels it presents a balanced view of the issue.” Indeed it was! The score was a carefully calibrated 3 to 3, a “both sides” balancing act. The right to disagree with a woman’s choice was depicted as equal in value to the purposeful attempt to stop her from making that choice — a dangerous false equivalency.</p>
<p>These three tropes couched abortion in terms of high moral conflict, making for good stories but inaccurate portrayals. Abortion was frequently represented as medically dangerous, as happening much more rarely than in actuality, and as mostly sought by demographics that don’t match national trends.</p>
<p>Meanwhile, the complex elements of real public discourse were oversimplified into a pro/anti debate, where “reasonable” people on both sides framed the issue in moral terminologies. Abortion was shown as morally ambiguous, a necessary evil, regrettable, a consequence, a binary choice against parenthood, and/or reserved for specific examples of desperate need.</p>
<p>Offscreen, this morality framework helped challenge a pregnant person’s right to the power of choice, creating a blueprint for how to take a private medical decision away from individuals and make it open to debate, because morality can be debated and judged in a way that medicine and access to medicine cannot. Like we saw on <em>Party of Five</em>, everyone gets a turn to give their opinion. Like we saw on <em>Roseanne</em>, it’s assumed all women are hardwired to want motherhood. Like we saw on <em>Cagney & Lacey</em>, “both sides” get equal time. These are the stories we’ve seen and heard over and over again, and now they are canon.</p>
<p>In the early 2000s, some changes did come to abortion storytelling. Bird on Showtime’s <em>Soul Food</em> (2003) and Claire on HBO’s <em>Six Feet Under</em> (2003) both had abortions that were remarkable for their straightforwardness and centering of the characters’ desires. Becky’s abortion on NBC and DirecTV’s <em>Friday Night Lights</em> (2010) was a refreshingly honest look at a teenager’s options in a small town and what impact a supportive adult could have (if only everyone had a Mrs. Coach to guide them!). Notably, however, almost those examples all aired on cable/satellite. Broadcast would largely have to wait for the Power of Shonda Rhimes.</p>
<p>In a 2011 episode of Rhimes’s hit ABC medical drama <em>Grey’s Anatomy</em>, Dr. Cristina Yang has to struggle to get her partner Owen to understand that she does not want children. She spends most of “Unaccompanied Minor” justifying her position, but by the end, the abortion happens with her partner at her side. <em>Grey’s</em> provided a welcome portrayal of personal agency on primetime. But it was on <em>Scandal</em> that Rhimes radically changed the script.</p>
<p>In the 2015 episode “Baby, It’s Cold Outside,” Olivia Pope discovers she is pregnant. This being <em>Scandal</em>, the father is the current president of the United States. Olivia does not tell anyone, and we do not see her schedule the procedure. Instead, there is a one-minute scene where she visits a clean, modern medical facility. She wears a hospital gown and hair cap. The camera looks down and focuses on her face as we hear the vacuum aspiration machine work.</p>
<p>The scene is respectful, unapologetic, and medical. Olivia, a Black woman, does not ask for permission or input from anyone, even when the father is the most powerful man in the world. Most critically, <em>Scandal</em> portrayed the procedure and not the decision-making process. The message is clear: A woman’s autonomy is sacrosanct.</p>
<p>Soon, other shows like <em>Girls</em> (2015), <em>Jane the Virgin</em> (2016), <em>GLOW</em> (2017), <em>Empire</em> (2018), <em>Veep</em> (2019), and <em>Shrill</em> (2019) — among many others — also showed abortions by main characters that did not dramatize the decision-making process to increase angst or conflict, a fundamental shift. They also portrayed more realistic abortion seekers — people of color, people who already had children, who were in the working class. The television landscape still isn’t perfect, of course. There are still plenty of shows regurgitating the same tired tropes from the 1980s, but it is better … at least onscreen.</p>
<p>On December 1, the Supreme Court will consider Mississippi’s restrictive abortion law <a href="https://www.cnn.com/2021/09/20/politics/supreme-court-mississippi-abortion-law/index.html">in a case</a> that directly challenges an individual’s right to control their own reproductive choices. It is not an exaggeration to believe that the United States could soon become a post-<em>Roe</em> nation.</p>
<p>Television, the most powerful meaning-making medium of the past 60 years, played a role in getting us here. It also has a role to play moving forward, one that writers and showrunners are increasingly willing to take on — to shape our national understanding of what abortion is, why it matters, and how to protect individuals’ access to reproductive medicine. Because if it is true that stories create us, then there is a future that is being written right now.</p>
<p>Whatever that future is, women will be watching.</p>
<p><em>Tanya Melendez (she/her) is an Illinois distinguished fellow at the University of Illinois Urbana-Champaign. Her research is centered on television, rhetoric, and public discourse. Find her on Twitter</em> <a href="https://twitter.com/tanyamel?lang=en"><em>@tanyamel</em></a><em>.</em></p>
<br />
<br />
source <a href="https://www.vox.com/culture/22715333/tv-abortion-plot-storyline-lies">https://www.vox.com/culture/22715333/tv-abortion-plot-storyline-lies</a>

vox How TV lied about abortion

In the second season of Mad Men , perpetually desperate Harry Crane needs to prove himself useful to his colleagues at Sterling Cooper. Whe...

Why would our Governments want to ruin the economy?

<p><strong>Why would our governments push whole sections of our economy into ruin? Who benefits from all this? Is there any other picture than the simple enrichment of some at the expense of others?</strong></p>
<p>In economic terms, three groups already own everything.</p>
<p>In practice, <strong>Blackrock, Vanguard and State Street</strong> impose their choices on governments for maximum profit. The following video on Blackrock sums up their modus operandi perfectly. </p>
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<p>The ultimate goal of the changes made ‘because of’ the pandemic is to be able to decide and control everything ‘live’. </p>
<p>The pandemic serves as a pretext for a complete transformation of the monetary system for the benefit of private interests that have a stranglehold on national and international public institutions.</p>
<p>The journalist <strong>Ernst Wolff</strong>, a specialist in finance, denounces in a brilliant synthesis the use of the coronavirus and the attempt to force a transition to the fourth industrial revolution preached by the World Economic Forum in Davos. The direct and automated control of the population in every place at every moment could only be achieved with a digital central currency, allowing the sanctioning of individuals. </p>
<p><strong><a href="https://childrenshealthdefense.eu/eu-issues/the-going-direct-reset/" rel="noreferrer noopener" target="_blank">John Titus and Catherine Austin Fitts</a></strong> have detailed the entire financial manoeuvre to make this shift to direct control, starting with the decisions made at the central bank meeting in Jackson Hole on 22nd August 2019, six months before the pandemic.</p>
<p>In one and a half minutes, <strong><a href="https://tube.childrenshealthdefense.eu/videos/watch/72421b84-8ba2-4b50-aff5-778ea328bb2c" rel="noreferrer noopener" target="_blank">Agustin Carstens</a></strong>, President of the International Bank of Settlements (in Basel), confirms that the difference between digital central bank money and cash is that you know who is doing what with your money at each transaction and that you can set the rules for the use of the money…</p>
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<p>To give a simple example: you could very well be forbidden to buy steak and chips if you have just bought cholesterol medication. They could also close your account for a fortnight if you have not respected the quarantine, or prohibit you from putting petrol in your car to reduce your carbon footprint. Such measures have already been discussed, just look at what the Bank of England is saying…</p>
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<p>Fortunately, there are ways to avoid this, and paying cash is one of them.</p>
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<strong><a href="https://theexpose.uk/2021/10/01/october-fundraising-campaign/">Instead we rely solely on your support, so<br /></a></strong><a href="https://theexpose.uk/2021/10/01/october-fundraising-campaign/"><strong>please support us in our efforts to bring</strong></a><br />
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<a href="https://theexpose.uk/2021/10/01/october-fundraising-campaign/"><strong>It’s quick and easy…</strong></a></p>
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<h3 class="jp-relatedposts-headline"><em>Related</em></h3>
<br />
<br />
source <a href="https://theexpose.uk/2021/10/14/why-would-our-governments-want-to-ruin-the-economy/">https://theexpose.uk/2021/10/14/why-would-our-governments-want-to-ruin-the-economy/</a>

revolution Why would our Governments want to ruin the economy?

Why would our governments push whole sections of our economy into ruin? Who benefits from all this? Is there any other picture than the simp...

U.S. Hospitals are now refusing to operate on individuals who are NOT vaccinated

<p><strong>According to <a href="https://www.breitbart.com/politics/2021/10/07/nolte-colorado-health-system-literally-wants-unvaccinated-die/" rel="noreferrer noopener" target="_blank">reports</a>, UCHealth in Colorado is denying patients in need of lifesaving procedures if they are unvaccinated.</strong></p>
<p>A Colorado woman with stage 5 renal failure is months away from getting a new kidney, but she and her donor will have to look for another hospital due to UCHealth’s vaccination policy. According to the health system, transplant recipients and their living donors are required to be vaccinated against Covid, and the woman can’t be operated on because neither she nor her donor has received the Covid-19 vaccine.</p>
<p>Leilani Lutali is in end-stage renal failure while the donor is her personal friend Jaimee Fougner. Lutali said that she objects to the vaccine because there are too many unknowns, whilst Fougner is a Christian and has refused the vaccine on religious grounds. She objects to the use of fetal cells in the testing phase of the Moderna and Pfizer vaccines.</p>
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<figure class="aligncenter is-resized"><img alt="" data-recalc-dims="1" height="359" loading="lazy" src="https://i0.wp.com/denver.cbslocal.com/wp-content/uploads/sites/15909806/2021/10/VACCINE-TRANSPLANT-POLICY-10-PKG.transfer_frame_268.jpeg?resize=639%2C359&ssl=1" width="639" />
<figcaption><em>Pictured: Leilani Lutali and Jaimee Fougner</em></figcaption>
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<p>However, Lutali says that she already had Covid and has tested positive for the antibodies, meaning that she has natural immunity.</p>
<p>Despite this, UCHealth said that both Lutali and her donor and “non-compliant by not receiving the Covid-19 vaccine.” The hospital has given the pair 30 days to begin the vaccine series. If they refuse, they will be removed from the kidney transplant list.</p>
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<p>In a statement, the hospital said that the Covid-19 virus is especially deadly for recipients of kidney transplants. UCHealth spokesman Dan Weaver said that the mortality rate observed for transplant patients with Covid-19 ranges from about 20 percent to more than 30 percent, which is far higher than the 1.6 percent fatality rate observed in kidney transplant patients in the United States.</p>
<p>The statement also noted that an organ transplant operation can lead to serious complications, and physicians must consider whether or not to recommend it – considering that living donors could also transmit Covid-19 to an organ recipient, threatening their lives.</p>
<p>“I said I’ll sign a medical waiver. I have to sign a waiver anyway for the transplant itself, releasing them from anything that could possibly go wrong,” said Lutali. “It’s surgery, it’s invasive. I sign a waiver for my life. I’m not sure why I can’t sign a waiver for the COVID shot.”</p>
<p><strong>The women have not been able to find a hospital in Colorado that will do the transplant while they are unvaccinated. They’re now reportedly looking at other states.</strong></p>
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<p>Why would our governments push whole sections of our economy into ruin? …</p>
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<h3 class="jp-relatedposts-headline"><em>Related</em></h3>
<br />
<br />
source <a href="https://theexpose.uk/2021/10/14/usa-hospitals-refuse-to-operate-on-unvaccinated/">https://theexpose.uk/2021/10/14/usa-hospitals-refuse-to-operate-on-unvaccinated/</a>

revolution U.S. Hospitals are now refusing to operate on individuals who are NOT vaccinated

According to reports , UCHealth in Colorado is denying patients in need of lifesaving procedures if they are unvaccinated. A Colorado woman...

Australia has Fallen – NT to introduce $5k fines for Unvaccinated workers despite having ZERO local Covid-19 cases

<p><strong>The Northern Territory Chief Minister, Michael Gunner has announced that tens of thousands of Northern Territory workers could be fined or blocked from their workplaces unless they get vaccinated against COVID-19.</strong></p>
<p>Chief Health Officer Hugh Heggie will introduce new rules that make it mandatory for many workers who interact with the public to have their first jab by November 12th.</p>
<p>Second doses will need to be complete by December 24th, Chief Minister Michael Gunner told reporters on Wednesday 13th October.</p>
<p>If they’re not, workers won’t be permitted to go to their workplace and could be fined $5,000 for failing to comply with a mandated health directive.</p>
<p>Employees who must be vaccinated under NT law include those who come into contact with the general public.</p>
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<figcaption><em>Chief Health Officer Hugh Heggie</em></figcaption>
</figure>
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<p>Chief Minister Gunner said that’s almost every worker in the NT.</p>
<p>“If your job involves interacting with members of public you need to get the jab,” he said.</p>
<p>“This is a very broad vaccination policy.”</p>
<p>Workers involved in essential infrastructure, food and goods supply, and security and logistics roles are among those required to get fully vaccinated by Christmas Eve.</p>
<p>As are workers at increased risk of contracting the virus, such as freight transport workers.</p>
<p>“Everything we’ve done has been through the legal team. We worked on this in great detail to make sure it is consistent with how CHO’s directive is implemented,” Gunner said.</p>
<p>The new rules also allow employers to demand proof of vaccination from staff and to keep information on those who are vaccinated.</p>
<p>They also acknowledge a booster vaccine will be required in 2022.</p>
<p>Watch Chief Minister Gunner announce the mandate in the following video –</p>
<p>For such a Draconian, dictatorial policy to be implemented you would assume Northern Territory, Australia is currently overwhelmed by the Covid-19 virus. But a quick look at the <span><a href="https://coronavirus.nt.gov.au/current-status#community-transmission">Northern Territory Governments Covid-19 dashboard</a></span> shows this isn’t the case at all.</p>
<p>As of 10:30am, October 14th 2021, Northern Territory, Australia has just 7 active Covid-19 cases with none of them acquired locally. Five cases were allegedly acquired overseas, whilst 2 cases were allegedly acquired via interstate travel.</p>
<p>The Government dashboard also confirms that Northern Territory, Australia has recorded just 223 cases of Covid-19 in over 18 months, with 216 of those people recovering, meaning there have been just 7 deaths since March 2020.</p>
<p>Despite this 2,131 people are currently undertaking forced quarantine.</p>
<p>The NT Government site states the following –</p>
<p><em>‘Visitors to the Northern Territory (NT) will <span><a href="https://coronavirus.nt.gov.au/travel/quarantine">not be permitted entry if they are from a declared Covid-19 hotspot</a></span> or public exposure site. Any visitors from these areas will be turned around and may be subject to a fine.</em></p>
<p><em>International and interstate travellers (from designated hotspots) who are <a href="https://coronavirus.nt.gov.au/travel/quarantine">eligible to enter</a> the Northern Territory are <span><a href="https://coronavirus.nt.gov.au/travel/quarantine/mandatory-supervised-quarantine">required by law to undertake 14 days of quarantine in supervised accommodation</a></span> under the Public and Environmental Health Act 2011. The accommodation is determined by the Northern Territory Government.*</em></p>
<p><em>Individuals entering into mandatory supervised quarantine in the Northern Territory will be charged a rate of $2,500 per person or $5,000 for a family of two or more people for 14 days.</em></p>
<p><em>Any person found breaching quarantine regulations will be liable for fines.</em>‘</p>
<p>Do you need any more evidence that this isn’t about a virus, and is instead all about control?</p>
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<p>According to reports, UCHealth in Colorado is denying patients in need of …</p>
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<div class="wp-block-coblocks-post-carousel__content" readability="14.393013100437"><time datetime="2021-10-14T01:51:53+01:00" class="wp-block-coblocks-post-carousel__date">October 14, 2021</time><a alt="Vaccine-Induced Infertility and Birth Defects: Taking A Look at A New Study on Fertility Plus Pandemic “Black-Eyed” Babies" href="https://theexpose.uk/2021/10/14/vaccine-induced-infertility-and-birth-defects-taking-a-look-at-a-new-study-on-fertility-plus-pandemic-black-eyed-babies/">Vaccine-Induced Infertility and Birth Defects: Taking A Look at A New Study on Fertility Plus Pandemic “Black-Eyed” Babies</a>
<p>Professor Dr. Hervé Seligmann examined fertility in countries that have high rates …</p>
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<div class="wp-block-coblocks-post-carousel__content" readability="11.891891891892"><time datetime="2021-10-13T17:10:13+01:00" class="wp-block-coblocks-post-carousel__date">October 13, 2021</time><a alt="Study finds Covid-19 Vaccines do not work after vaccinated patient sparked hospital outbreak among fully vaccinated leaving many in a critical condition whilst the unvaccinated were fine" href="https://theexpose.uk/2021/10/13/study-finds-covid-19-vaccines-do-not-work-after-vaccinated-patient-sparked-hospital-outbreak-among-fully-vaccinated-leaving-many-in-a-critical-condition-whilst-the-unvaccinated-were-fine/">Study finds Covid-19 Vaccines do not work after vaccinated patient sparked hospital outbreak among fully vaccinated leaving many in a critical condition whilst the unvaccinated were fine</a>
<p>A paper published September 30th in Eurosurveillance raises questions about the legitimacy …</p>
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<div class="wp-block-coblocks-post-carousel__content" readability="16.716417910448"><time datetime="2021-10-13T13:00:00+01:00" class="wp-block-coblocks-post-carousel__date">October 13, 2021</time><a alt="Australian Police Interrogate Citizens Over Social Media Posts Supporting Anti-Lockdown Protests" href="https://theexpose.uk/2021/10/13/australian-police-interrogate-citizens-over-social-media-posts-supporting-anti-lockdown-protests/">Australian Police Interrogate Citizens Over Social Media Posts Supporting Anti-Lockdown Protests</a>
<p>Several videos have surfaced online showing people in Australia being interrogated by …</p>
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<div class="wp-block-coblocks-post-carousel__content" readability="17.182266009852"><time datetime="2021-10-13T09:32:47+01:00" class="wp-block-coblocks-post-carousel__date">October 13, 2021</time><a alt="Colorado State University Threatens to ARREST Unvaccinated Students if They are Seen on Campus" href="https://theexpose.uk/2021/10/13/colorado-state-university-threatens-to-arrest-unvaccinated-students-if-they-are-seen-on-campus/">Colorado State University Threatens to ARREST Unvaccinated Students if They are Seen on Campus</a>
<p>Colorado State University (CSU) in Fort Collins is threatening unvaccinated students with …</p>
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<div class="wp-block-coblocks-post-carousel__content" readability="13.078260869565"><time datetime="2021-10-13T06:30:00+01:00" class="wp-block-coblocks-post-carousel__date">October 13, 2021</time><a alt="Teen deaths up to 125% higher than the 5-year-average since they started to be given the Covid-19 Vaccine according to official ONS data" href="https://theexpose.uk/2021/10/13/teen-deaths-125-percent-higher-since-covid-vaccination-ons-data/">Teen deaths up to 125% higher than the 5-year-average since they started to be given the Covid-19 Vaccine according to official ONS data</a>
<p>An investigation of official ONS data has revealed that since the Covid-19 …</p>
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source <a href="https://theexpose.uk/2021/10/14/australia-nt-to-introduce-5k-fines-for-unvaccinated-workers-despite-zero-cases/">https://theexpose.uk/2021/10/14/australia-nt-to-introduce-5k-fines-for-unvaccinated-workers-despite-zero-cases/</a>

revolution Australia has Fallen – NT to introduce $5k fines for Unvaccinated workers despite having ZERO local Covid-19 cases

The Northern Territory Chief Minister, Michael Gunner has announced that tens of thousands of Northern Territory workers could be fined or b...